research
instructional
teaching
scienceSelect an area to explore in detail.
Imaginaries of science, techno-imaginaries, complex thought. PhD USP / Grenoble Alpes. Associate researcher at Centre Figura (UQAM, 2022-2023).
Over 10 years of teaching experience. Faculty at USP (Celacc). 33 thesis supervisions. 45 monograph examination boards.
Innovative pedagogical approaches for diverse audiences. Theoretical grounding in education and techno-pedagogy.
Science outreach workshops for children and youth. Mentor at Expo-sciences (Les Scientifines, Montreal).

Research group on the imaginaries of technology. Geist brings together scholars and practitioners around the ways contemporary societies think about, narrate, and stage technology — across science, fiction, popular culture, and artistic practice.
geistcorp.org →An artefact neglected by philosophy and anthropology, the machine has supported human actions and reflections as a technical object performing muscular and cognitive activities; it has become the centre of techno-scientific endeavours, as well as a model of knowledge for natural phenomena, a metaphor for biological processes, a site of artistic and literary experimentation, and has, throughout history, occupied religious, oracular, ludic and ornamental functions.
Although infiltrated into our gestures, into the way everyday activities are organised, and into how the cosmos, nature, human beings and societies are understood, machines only seem to become a problem when they stop functioning, when they fail in the mission for which they were designed. Indeed, as expressions of human culture, they are everywhere and at the same time nowhere, persisting as one of the great unthoughts of Western and global philosophical tradition, as Vengeon (2009, p. 103) argues.
Apart from a few efforts seeking to reverse this picture, work devoted to the study of relations between humans and artefacts — or, more precisely, to the imaginaries that permeate the bonds between humans and machines — remains in its infancy. The term bond highlights the study of relations in which an ontological entanglement is observed between humans and artefacts, from the conception to the appropriation of technical objects. Studies of this kind are not limited to surface aspects or to the sociopolitical effects of associations with objects; they also turn toward the investigation of narratives, images, motivations, memories, and affects underlying the different types of assemblage between humans and machines.
Starting from this gap, and following the interdisciplinary vocation of imaginary studies — radiating from the Grenoble school —, this project is devoted to investigating the theoretical premises that underpin the formulation of an anthropology of the imaginary of machines, oriented toward the study of bonds between humans and machines in different historical moments, including both archaic technical objects and the artefacts of fiction, so as to enable the identification of motifs, redundancies, isomorphies and image-based dynamics.
Background, research interests, and education.
PhD in Education (USP / Université Grenoble Alpes), Juliana Michelli S. Oliveira develops interdisciplinary research at the intersection of sciences, humanities, and imaginary studies. Her work focuses on cultural representations of science and technology, techno-imaginaries, and complex thought. From 2022 to 2023, she was an associate researcher at Centre Figura (UQAM). Today, she is a faculty member at the Celacc — Centre for Latin American Studies on Culture and Communication (USP) and a science communicator at Les Scientifines, in Montreal.
Feel free to reach out for any collaboration, invitation, or inquiry.